| Santiago Rodriguez | |
|---|---|
| Born | February 16, 1952 Cardenas, Cuba |
| Genres | Classical music |
| Occupations | Concert pianist and piano pedagogue |
| Labels | Élan Recordings |
| Website | www.santiagorodriguez.net |
Santiago Rodriguez (born 1952) is a Cuban-American pianist. Rodriguez is an exclusive recording artist for Élan Recordings.[1] His Rachmaninov recordings received the Rosette award in The Penguin Guide to Recorded Classical Music and he is a Silver Medalist in the Van Cliburn International Piano Competition.
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Born on February 16, 1952 in Cárdenas, Cuba, Rodriguez began piano studies at age four with Nelson DeBerge. When Rodriguez was eight years old, he and his brother became part of Project Peter Pan, a project sponsored by Catholic Charities which brought Cuban children to America during Fidel Castro’s regime. Although his parents originally thought that they would be quickly reunited, it took six years for the parents to immigrate to America. He continued his piano lessons while living in the orphanage in New Orleans supported by money that his mother had sewn in his coat. When he was ten years old, Rodriguez debuted with the New Orleans Symphony Orchestra performing Mozart's Piano Concerto No. 27. Rodriguez completed his Bachelor of Music degree with William Race at the University of Texas and the Master of Music degree with Adele Marcus at the Juilliard School. After winning the Silver Medal at the Van Cliburn International Piano Competition in 1981, Rodriguez launched his international career.[1] He has been featured on the ABC, NBC, PBS, CNN, BBC, CBC television networks.
Highlights of Rodriguez's concert career include performances at venues such as Carnegie Hall, Schauspielhaus in Berlin, Leipzig’s Gewandhaus, Queen Elizabeth Hall in London, Montreal's Théâtre Maisonneuve, Alice Tully Hall in New York, The John F. Kennedy Center for the Performing Arts in Washington, D.C., and the Herbst Theatre in San Francisco. He has performed internationally with orchestras, including the London Symphony Orchestra, the Sachsische Staatskapelle Dresden, the Staatskapelle Weimar, the Yomiuri Nippon Symphony Orchestra of Japan, the Tampere Philharmonic of Finland, the Berliner Symphoniker, the Philadelphia, Chicago, St. Louis, Baltimore, Seattle, Indianapolis, American Composers, as well as the Houston Symphony Orchestras, the National Symphony Orchestra of Washington, D.C., and the American Symphony Orchestra at Avery Fisher Hall in New York. Festivals include the Santander Festival in Spain and the Ravenna Festival in Italy.
As a chamber musician, Rodriguez has performed with the Guarneri Quartet, Chamber Music Society of Lincoln Center, Ruggiero Ricci, Nathaniel Rosen, Walter Trampler, Ransom Wilson, Gervaise de Peyer, Aurora Nátola-Ginastera, and Robert McDuffie.
Rodriguez is an Élan Recordings artist. He is recording The Rachmaninov Edition for the label, which, when completed, will encompass the entire catalog of Rachmaninov's original solo piano compositions. Rodriguez also specializes in the works of Spanish composers. His other recordings includes works by Bach, Brahms, Ginastera, Liszt, Tchaikovsky, and Grieg.[2]
After performances, he has been called a "phenomenal pianist" by the New York Times[3] and "one of the finest pianists in the world" by The Baltimore Sun.[4] The Washington Post review included "Santiago Rodriguez is one of the finest pianists on the international scene. In an age in which classicism is revered, this Cuban-born pianist remains a fervent Romantic, spellbinding the audience with his warmth and Promethean fire."[5] After a 2010 concert for the Festival Miami, his review included: "Rodriguez is a pianist of impeccable technique and refined artistic sensibilities. Every note is perfectly placed, his precision and attention to detail everywhere apparent."[6] Santiago’s Rachmaninov recordings have consistently received rave reviews. In reviewing volume one of the Rachmaninov Series, The Penguin Guide to Recorded Classical Music 2010 stated "...This is some Rachmaninov playing! Santiago Rodriguez is the real thing. For a moment, one imagines that Rachmaninov himself is at the keyboard. Rodriguez has something of Pletnev about him: wonderful authority and immaculate technical control, tremendous electricity as well as great poetic feeling. Outstanding in every way."[7] In reviewing volume one and two of Rachmaninov, Bryce Morrison of Gramophone includes "Santiago Rodriguez, the Cuban-American virtuoso, is born for Rachmaninov, and I doubt whether any of the works on these two discs have often been played with such a spellbinding mix of high-born virtuosity and poetic glamour." In reviewing Rachmaninov 3rd/Prokofiev 3rd, the American Record Guide includes, "This brilliant American virtuoso takes charge immediately and steers his way through the entire concerto with blazing conviction, tremendous technical strength, unswerving concentration and galvanic excitement – but always under absolute control. Among current CDs of the Rachmaninov Third, this goes immediately to the top of the list. I’m familiar with over 60 commercially-issued recordings of the work, and I have no hesitation in placing Rodriguez/Tabakov in the top five."[8] Dixon of Musical America reviewed it as "...The most positively macho, dramatic, and emotionally riveting performance within long memory. At last, we have among us a true artist quite unafraid of being a dramatic virtuoso, the greatest since Kapell." [9] Rodriiguez’ Ginastera cd was reviewed in New York Magazine as "Ginastera’s brilliantly incisive music might have been written for the special talents of this pianist. The lyrical and percussive extremes of the composer’s distinctive style fully exploit Rodriguez’ remarkable combination of introspective, poetic delicacy and explosive virtuosity."[10]
Rodriguez is active as a pedagogue and masterclass clinician. Rodriguez began his teaching career at University of Missouri in Columbia, Missouri. In 1980, he joined the University of Maryland, College Park as Artist-in-Residence and Professor of Piano. He remained there until fall 2009, when he moved to Frost School of Music at the University of Miami as Chair of the Keyboard Department, Professor of Piano and Artist-in-Residence. Rodriguez is also active as a judge for major piano competitions. Most recently, he was Chair of the Jury at the William Kapell International Piano Competition and the San Antonio International Piano Competition.